Ezekiel 4:1
You also, son of man, take you a tile, and lay it before you, and portray on it the city, even Jerusalem:
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EXPOSITORY (ENGLISH BIBLE)
IV.

(1) Take thee a tile.—The use of tiles for such purposes as that here indicated was common both in Babylonia and in Nineveh. When intended for preservation the writing or drawing was made upon the soft and plastic clay, which was afterwards baked. It is from the remains of great libraries prepared in this way that most of our modern knowledge of Nineveh and Babylon has been derived. It is, of course, quite possible that Ezekiel may have drawn in this way upon a soft clay tile; but from the whole account in this and the following chapters it is more likely that he simply described, rather than actually performed, these symbolical acts.

Ezekiel 4:1. Take a tile, &c., and lay it before thee — The prophets often foreshowed impending judgments by significant emblems, which usually strike more powerfully than words. So Jeremiah was commanded to go down to the potter’s house, and observe how frequently vessels were marred in his hands, (chap. 18.,) and to take one of those earthen vessels and break it in the sight of the elders of the Jews, (chap. 19.,) that they might thereby be sensibly taught the greatness of God’s power, and their own frailty. So here God commands Ezekiel to take a tile, or such a slate as mathematical lines, or figures, are usually drawn upon, and there to make a portraiture of Jerusalem, thereby to represent it as under a siege. We may observe, that God often suited prophetical types and figures to the genius and education of the prophets themselves: so the figures which Amos makes use of are generally taken from such observations as are proper to the employment of a shepherd, or a husbandman. Ezekiel had a peculiar talent for architecture, therefore several of his representations are suitable to that profession. And they that suppose the emblem here made use of to be below the dignity of the prophetical office, may as well accuse Archimedes of folly for making lines in the dust: see Lowth.4:1-8 The prophet was to represent the siege of Jerusalem by signs. He was to lie on his left side for a number of days, supposed to be equal to the years from the establishment of idolatry. All that the prophet sets before the children of his people, about the destruction of Jerusalem, is to show that sin is the provoking cause of the ruin of that once flourishing city.A tile - Rather, a brick. Sun-dried or kiln-burned bricks were from very early times used for building walls throughout the plain of Mesopotamia. The bricks of Nineveh and Babylon are sometimes stamped with what appears to be the device of the king in whose reign they were made, and often covered with a kind of enamel on which various scenes are portrayed. Among the subjects depicted on such bricks discovered at Nimroud are castles and forts.CHAPTER 4

Eze 4:1-17. Symbolical Vision of the Siege and the Iniquity-bearing.

1. tile—a sun-dried brick, such as are found in Babylon, covered with cuneiform inscriptions, often two feet long and one foot broad.The prophet is directed to represent a mock siege of Jerusalem for a sign to the Jews, Ezekiel 4:1-3; and to lie before it in one posture for a set number of days, in order to denote the time of their sins for which God did visit, Ezekiel 4:4-8. His allotted provisions, with design to prefigure the people’s defilement among the Gentiles, Ezekiel 4:9-15, and the scarcity they should be reduced to by the siege, Ezekiel 4:16,17.

Hitherto the preface, containing the call and commission of the prophet; now he begins. This is the first prophecy, and it is against Jerusalem.

A tile, or brick, or any square tablet on which he might engrave or carve.

Lay it before thee, as carvers use to do, as engravers and painters do.

Portray upon it the city; draw a map of Jerusalem, delineate or describe the city Jerusalem, whence they were come, who now are in Babylon, and probably repented that they had left Judea and Jerusalem, and murmured against them that advised to it: but let them know by this sign that Jerusalem should suffer much more than ever they suffered, that those who remained there sinning against God should bear a long siege, a very grievous famine, and cruel slaughters.

Thou also, son of man, take thee a tile,.... Or "brick" (z). The Targum renders it, a "stone"; but a tile or brick, especially one that is not dried and burned, but green, is more fit to cut in it the figure of a city. Some think that this was ordered because cities are built of brick; or to show the weakness of the city of Jerusalem, how easily it might be demolished; and Jerom thinks there was some design to lead the Jews to reflect upon their making bricks in Egypt, and their hard service there; though perhaps the truer reason may be, because the Babylonians had been used to write upon tiles. Epigenes (a) says they had celestial observations of a long course of years, written on tiles; hence the prophet is bid to describe Jerusalem on one, which was to be destroyed by the king of Babylon;

and lay it before thee: as persons do, who are about to draw a picture, make a portrait, or engrave the form of anything they intend:

and portray upon it the city; even Jerusalem; or engrave upon it, by making incisions on it, and so describing the form and figure of the city of Jerusalem.

(z) "laterem", V. L. Pagninus, Montanus, Junius & Tremellius, Polanus. Piscator. (a) Apud Plin. Nat. Hist. l. 7. c. 56.

Thou also, son of man, take thee a tile, and lay it before thee, and pourtray upon it the city, even Jerusalem:
EXEGETICAL (ORIGINAL LANGUAGES)
1. take thee a tile] or, brick. The brick would be such as those found in the ruins of the cities of Mesopotamia, covered with figures and inscriptions, engraved on them when still moist. Libraries of such bricks have been found by explorers in this region, and deciphered. For the city read a city.

Ch. Ezekiel 4:1-3. Symbolical siege of Jerusalem

The prophet is commanded to take a brick (it is to be supposed still soft) and portray on it a city, even Jerusalem. Around the city he is to draw representations of siege operations, towers, a mound, camps and battering-rams. Between him and the city he is to set an iron plate to represent an iron wall. The determination of the besiegers is shewn by his attitude, he sets his face against the city. All this is symbol of a hard siege, carried on with great determination and apparatus against a lofty city.Verse 1. - The first sign in this method of unspoken prophecy was to indicate to the exiles of Tel-Abib that which they were unwilling to believe The day of uncertain hopes and fears, of delusive dreams and promises (Jeremiah 27:16; Jeremiah 28:1-3; Jeremiah 29:21), was nearly over. The siege of Jerusalem in spite of Zedekiab's Egyptian alliance, was a thing decreed. Four years before it came - we are now between the fourth month of the fifth year (Ezekiel 1:2) and the sixth month of the sixth year (Ezekiel 8:1) of Zedekiah. and the siege began in the ninth year (2 Kings 25:1) - Ezekiel, on the segnius irritant principle, brought it, as here narrated, before the eyes of the exiles. That he did so implies a certain artistic culture, in possessing which he stands alone, so far as we know, among the prophets of Israel, and to which his residence in the land of the Chaldees may have contributed. He takes a tile, or tablet of baked clay, such as were used in Babylon and Assyria for private contracts, historical inscriptions, astronomical observations (Pliny, 'Hist. Nat.,' 7:57), and the like, which were, in fact, the books of that place and time, and of which whole libraries have been brought to light in recent excavations (Layard, 'Nineveh and Babylon,' ch. 22) and engraves upon it the outlines of "a city" (Revised Version), in which the exiles would at once recognize the city of their fathers, the towers which they had once counted (Isaiah 33:18; Psalm 48:12), the temple which had been their glory and their joy. Bricks with such scenes on them were found among the ruins of Nimroud, now in the British Museum (Layard, ut supra, ch. 7, p. 167). It is not difficult to picture to ourselves the wondering curiosity with which Ezekiel's neighbours would watch the strange proceeding. In this case the sign would be more impressive than any spoken utterance. After the Lord had pointed out to the prophet the difficulties of the call laid upon him, He prepared him for the performance of his office, by inspiring him with the divine word which he is to announce. - Ezekiel 2:8. And thou, son of man, hear what I say to thee, Be not stiff-necked like the stiff-necked race; open thy mouth, and eat what I give unto thee. Ezekiel 2:9. Then I saw, and, lo, a hand outstretched towards me; and, lo, in the same a roll of a book. Ezekiel 2:10. And He spread it out before me; the same was written upon the front and back: and there were written upon it lamentations, and sighing, and woe. Ezekiel 3:1. And He said to me: Son of man, what thou findest eat; eat the roll, and go and speak to the house of Israel. Ezekiel 3:2. Then opened I my mouth, and He gave me this roll to eat. Ezekiel 3:3. And said to me: Son of man, feed thy belly, and fill thy body with this roll which I give thee. And I ate it, and it was in my mouth as honey and sweetness. - The prophet is to announce to the people of Israel only that which the Lord inspires him to announce. This thought is embodied in symbol, in such a way that an outstretched hand reaches to him a book, which he is to swallow, and which also, at God's command, he does swallow; cf. Revelation 10:9. This roll was inscribed on both sides with lamentations, sighing, and woe (הי is either abbreviated from נהי, not equals אי, or as Ewald, 101c, thinks, is only a more distinct form of הוי or הו). The meaning is not, that upon the roll was inscribed a multitude of mournful expressions of every kind, but that there was written upon it all that the prophet was to announce, and what we now read in his book. These contents were of a mournful nature, for they related to the destruction of the kingdom, the destruction of Jerusalem and of the temple. That Ezekiel may look over the contents, the roll is spread out before his eyes, and then handed to him to be eaten, with the words, "Go and speak to the children of Israel," i.e., announce to the children of Israel what you have received into yourself, or as it is termed in Ezekiel 3:4, דּברי, "my words." The words in Ezekiel 3:3 were spoken by God while handing to the prophet the roll to be eaten. He is not merely to eat, i.e., take it into his mouth, but he is to fill his body and belly therewith, i.e., he is to receive into his innermost being the word of God presented to him, to change it, as it were, into sap and blood. Whilst eating it, it was sweet in his mouth. The sweet taste must not, with Kliefoth, be explained away into a sweet "after-taste," and made to bear this reference, that the destruction of Jerusalem would be followed by a more glorious restoration. The roll, inscribed with lamentation, sorrow, and woe, tasted to him sweetly, because its contents was God's word, which sufficed for the joy and gladness of his heart (Jeremiah 15:16); for it is "infinitely sweet and lovely to be the organ and spokesman of the Omnipotent," and even the most painful of divine truths possess to a spiritually-minded man a joyful and quickening side (Hengstenberg on Revelation 10:9). To this it is added, that the divine penal judgments reveal not only the holiness and righteousness of God, but also prepare the way for the revelation of salvation, and minister to the saving of the soul.
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