Psalm 71:22
I will also praise thee with the psaltery, even thy truth, O my God: unto thee will I sing with the harp, O thou Holy One of Israel.
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EXPOSITORY (ENGLISH BIBLE)
(22) With the psaltery.—See Psalm 57:8, Note.

Psalm 71:22-24. I will also praise thee, &c. — And then surely I shall be no less forward to bless thee than thou art to bestow thy benefits on me. My lips shall greatly rejoice, and my soul, &c. — It is not possible to express the joy wherewith, not merely my lips, but my heart and soul shall sing triumphant songs for the extraordinary deliverance which I expect from thee. My tongue also shall talk of thy righteousness all the day long — Which shall not only be the subject of my solemn songs, but of my constant discourse; wherein I will perpetually magnify thy goodness and truth toward me, and thy just vengeance upon mine enemies. How much more is “the truth of God, in accomplishing his promises, by the redemption of our souls, and the confusion of our spiritual enemies, a subject which demands a never ceasing tribute of gratitude and love, of praise and thanksgiving. To celebrate it aright, with the melody of voices and affections, all in perfect concord, is the duty and delight of the church militant; which, when thus employed, affords the best resemblance of the church triumphant.” — Horne.

71:14-24 The psalmist declares that the righteousness of Christ, and the great salvation obtained thereby, shall be the chosen subject of his discourse. Not on a sabbath only, but on every day of the week, of the year, of his life. Not merely at stated returns of solemn devotion, but on every occasion, all the day long. Why will he always dwell on this? Because he knew not the numbers thereof. It is impossible to measure the value or the fulness of these blessings. The righteousness is unspeakable, the salvation everlasting. God will not cast off his grey-headed servants when no longer capable of labouring as they have done. The Lord often strengthens his people in their souls, when nature is sinking into decay. And it is a debt which the old disciples of Christ owe to succeeding generations, to leave behind them a solemn testimony to the advantage of religion, and the truth of God's promises; and especially to the everlasting righteousness of the Redeemer. Assured of deliverance and victory, let us spend our days, while waiting the approach of death, in praising the Holy One of Israel with all our powers. And while speaking of his righteousness, and singing his praises, we shall rise above fears and infirmities, and have earnests of the joys of heaven. The work of redemption ought, above all God's works, to be spoken of by us in our praises. The Lamb that was slain, and has redeemed us to God, is worthy of all blessing and praise.I will also praise thee with the psaltery - Margin, as in Hebrew, "with the instrument of psaltery." The Hebrew word is נבל nebel. In Isaiah 5:12 it is rendered "viol." See the notes at that passage. It is rendered "psaltery" in 1 Samuel 10:5; 2 Samuel 6:5; 1 Kings 10:12; and elsewhere. Compare the notes at Psalm 33:2.

Even thy truth - I will make mention of thy truth and faithfulness in my songs of praise; or, I will celebrate these in connection with appropriate music.

Unto thee will I sing with the harp - Hebrew, כנור kinnôr. See the notes at Isaiah 5:12. Compare the notes at Psalm 33:2.

O thou Holy One of Israel - The God of Israel or the Hebrew people; the God regarded by them as most holy, and worshipped by them as their God. This is the first time that this title occurs in the Psalms, but it is common in the prophets, particularly in Isaiah. See Isaiah 1:4; Isaiah 5:19, Isaiah 5:24; Isaiah 10:20; Isaiah 12:6. It occurs also in Psalm 78:41; Psalm 89:18.

22-24. To the occasion of praise he now adds the promise to render it.

will … praise—literally, "will thank."

even thy truth—as to Thy truth or faithfulness.

22 I will also praise thee with the psaltery, even thy truth, O my God: unto thee will I sing with the harp, O thou Holy One of Israel.

23 My lips shall greatly rejoice when I sing unto thee; and my soul, which thou hast redeemed.

24 My tongue also shall talk of thy righteousness all the day long: for they are confounded, for they are brought unto shame, that seek my hurt.

Here is the final vow of praise.

Psalm 71:22

"I will also praise thee with the psaltery." Love so amazing calls for sweetest praise. David would give his best music, both vocal and instrumental, to the Best of Masters. His harp should not be silent, nor his voice. "Even thy truth, O my God." This is ever a most enchanting attribute - viz., the truth or faithfulness of our covenant God. On this we rest, and from it we draw streams of richest consolation. His promises are sure, his love unalterable, his veracity indisputable. What saint Will not praise him as he remembers this? "Unto thee will I sing with the harp, O thou Holy One of Israel." Here is a new name, and, as it were, a new song. The Holy One of Israel is at once a lofty and an endearing name, full of teaching. Let us resolve, by all means within our power, to honour him.

Psalm 71:23

"My lips shall greatly rejoice when I sing unto thee." It shall be no weariness to me to praise thee. It shall be a delightful recreation, a solace, a joy. The essence of song lies in the holy joy of the singer. "And my soul, which thou hast redeemed." Soul-singing is the soul of singing, Till men are redeemed, they are like instruments out of tune; but when once the precious blood has set them at liberty, then are they fitted to magnify the Lord who bought them. Our being bought with a price is a more than sufficient reason for our dedicating ourselves to the earnest worship of God our Saviour.

Psalm 71:24

"My tongue also shall talk of thy righteousness all the day long." I will talk to myself, and to thee, my God, and to my fellow men: my theme shall be thy way of justifying sinners, the glorious display of thy righteousness and grace in thy dear Son; and this most fresh and never-to-be-exhausted subject shall be ever with me, from the rising of the sun to the going down of the same. Others talk of their beloveds, and they shall be made to hear of mine. I will become an incessant talker, while this matter lies on my heart, for in all company this subject will be in season. "For they are confounded, for they are brought unto shame, that seek my hurt." As in many other Psalms, the concluding stanzas speak of that as an accomplished fact, which was only requested in former verses. Faith believes that she has her request, and she has it. She is the substance of things hoped for - a substance so real and tangible, that it sets the glad soul a-singing. Already sin, Satan, and the world are vanquished, and the victory is ours.

"Sin, Satan, Death appear

To harass and appal:

Yet since the gracious Lord is near,

Backward they go, and fall.

continued...

No text from Poole on this verse.

I will also praise thee with the psaltery,.... An instrument of music; See Gill on Psalm 33:2;

even thy truth, O my God; that is, his faithfulness in fulfilling his promises, which is never suffered to fail;

unto thee will I sing with the harp; another instrument of music; and both typical of the spiritual melody in the heart, which believers make in praising the Lord, when they sing the Lamb's new song; see Revelation 14:2;

O thou Holy One of Israel; the God of Israel, that dwells among them, and sanctifies them; and who is essentially and perfectly holy in himself, and in all his ways and works; the remembrance of which occasions praise and thankfulness, Psalm 97:12.

I will also praise thee with the psaltery, even thy {q} truth, O my God: unto thee will I sing with the harp, O thou Holy One of Israel.

(q) He confesses that his long delay was well recompensed, when God performed his promise.

EXEGETICAL (ORIGINAL LANGUAGES)
22. I will also &c.] I also will give thanks unto thee: in response to this new proof of Thy love. psaltery] See on Psalm 57:8.

thy truth] For in this manifestation of mercy to Israel God has shewn Himself true to His promises. Cp. Micah 7:20.

unto thee &c.] Unto thee will I make melody.

O thou Holy One of Israel] A title which is found frequently in the Book of Isaiah, but elsewhere only twice again in the Psalter (Psalm 78:41; Psalm 89:18), twice in the Book of Jeremiah (Jeremiah 50:29; Jeremiah 51:5), and once in a modified form in Ezekiel (Ezekiel 39:7). Cp. too Hosea 11:9; Habakkuk 1:12. Its use here in connexion with the redemption of Israel is significant. It denotes that God in His character of a Holy God has entered into covenant with Israel, and His holiness is pledged to redeem His people. For a fuller explanation of this title the present writer may be allowed to refer to his Doctrine of the Prophets, pp. 177 ff.

Verse 22. - I will also praise thee with the psaltery, even thy truth, O my God: unto thee will I sing with the harp, O thou Holy One of Israel. (On the psaltery, and its use as a devotional instrument, see the comment on Psalm 33:2.) The conjunction of the psaltery and harp seems to imply that the "praise," of which the writer here speaks, is to be public praise in the sanctuary, accompanied by the usual sacred music. Psalm 71:22The thought of this proclamation so thoroughly absorbs the poet that he even now enters upon the tone of it; and since to his faith the deliverance is already a thing of the past, the tender song with its uncomplaining prayer dies away into a loud song of praise, in which he pictures it all to himself. Without Psalm 71:19-21 being subordinate to עד־אגיד in Psalm 71:18, וצדקתך is coupled by close connection with בגורתך. Psalm 71:19 is an independent clause; and עד־מרום takes the place of the predicate: the righteousness of God exceeds all bounds, is infinite (Psalm 36:6., Psalm 57:11). The cry כמוך מי, as in Psalm 35:10; Psalm 69:9, Jeremiah 10:6, refers back to Exodus 15:11. According to the Chethb, the range of the poet's vision widens in Psalm 71:20 from the proofs of the strength and righteousness of God which he has experienced in his own case to those which he has experienced in common with others in the history of his own nation. The Ker (cf. on the other hand Psalm 60:5; Psalm 85:7; Deuteronomy 31:17) rests upon a failing to discern how the experiences of the writer are interwoven with those of the nation. תּשׁוּב in both instances supplies the corresponding adverbial notion to the principal verb, as in Psalm 85:7 (cf. Psalm 51:4). תּהום, prop. a rumbling, commonly used of a deep heaving of waters, here signifies an abyss. "The abysses of the earth" (lxx ἐκ τῶν ἀβύσσων τῆς γῆς, just as the old Syriac version renders the New Testament ἄβυσσος, e.g., in Luke 8:31, by Syr. tehūmā') are, like the gates of death (Psalm 9:14), a figure of extreme perils and dangers, in the midst of which one is as it were half hidden in the abyss of Hades. The past and future are clearly distinguished in the sequence of the tenses. When God shall again raise His people out of the depth of the present catastrophe, then will He also magnify the גּדלּה of the poet, i.e., in the dignity of his office, by most brilliantly vindicating him in the face of his foes, and will once more (תּסּוב, fut. Niph. like תּשׁוּב ekil .h above) comfort him. He on his part will also (cf. Job 40:14) be grateful for this national restoration and this personal vindication: he will praise God, will praise His truth, i.e., His fidelity to His promises. בּכלי נבל instead of בּנבל sounds more circumstantial than in the old poetry. The divine name "The Holy One of Israel" occurs here for the third time in the Psalter; the other passages are Psalm 78:41; Psalm 89:19, which are older in time, and older also than Isaiah, who uses it thirty times, and Habakkuk, who uses it once. Jeremiah has it twice (Jeremiah 50:29; Jeremiah 51:5), and that after the example of Isaiah. In Psalm 71:23, Psalm 71:24 the poet means to say that lips and tongue, song and speech, shall act in concert in the praise of God. תּרנּנּה with Dagesh also in the second Nun, after the form תּקוננּה, תּשׁכּנּה, side by side with which we also find the reading תּרנּנּה, and the reading תּרנּנה, which is in itself admissible, after the form תּאמנה, תּעגנה, but is here unattested.

(Note: Heidenheim reads תּרנּנּה with Segol, following the statement of Ibn-Bil'am in his טעמי המקרא and of Mose ha-Nakdan in his דרכי הנקוד, that Segol always precedes the ending נּה, with the exception only of הנּה and האזנּה. Baer, on the other hand, reads תונּנּה, following Aben-Ezra and Kimchi (Michlol 66b).)

The cohortative after כּי (lxx ὅταν) is intended to convey this meaning: when I feel myself impelled to harp unto Thee. In the perfects in the closing line that which is hoped for stands before his soul as though it had already taken place. כי is repeated with triumphant emphasis.

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